Routined Manipulation Finale

f  you enjoy entertaining with magic, you must have this third and final  book in this series. You will be treated to routines with props like The Linking Rings, dice, handkerchiefs, sponge balls, cards and more. There are routines  by some of the top magicians from all around the world. A fine volume.

Contents Include:

Harry Clarke Photo: Black & white photo of Harry Clarke, publisher of magic works
Introduction: by Lewis Ganson, 1954

Section One: Anti-Gravity Glasses
Lewis Ganson Photo: Black &White photo of Lewis Ganson with the cups & balls
Chapter One: A Clear Case of Anti-Gravity: an expanded version of The Anti-Gravity  Glasses routine. The cups not only suspend beneath the tray, but the  tray is inverted and a single cup is suspended, and silks are even drawn  from the glasses while suspended.
Chapter Two: Some Reflections on Anti Gravity: Additional ideas on the above routine, with discussions of gimmick designs. 
26 Elizabeth Warlock's Version of the Anti-Gravity Glasses: a silent routine by the daughter of Peter Warlock Section Two: Magic With Coins
Fred Kaps Photo: Black &White photo of Fred Kaps
Chapter Three: Fred Kaps Coins & Glass Routine: four coins appear, vanish and reappear in a  glass previously shown empty. Uses the basic slight from The Art of  Magic called "Down's Latest Method for 'The Miser's Dream'".Utilizes a  handkerchief, a glass tumbler, four half-crowns (Kaps' uses palming  coins), and a coin dropper
Chapter Four:  Peter Warlock's Take a Bow, Jack Avis: English Penny and Florin change  places in folds of a handkerchief. Uses a handkerchief, a Penny, a  Florin, a gimmicked Penny, and a penknife (though a marker could be used  instead of the penknife).

Section Three: Linking Rings
52 Ken Brooke Photo: Black &White photo Photo
Chapter Five:  Ken Brook's Linking Ring Count: A method of counting the eight rings to  accompany the Odin routine. Highly recommends all readers to get M.  Claudiu Odin's book The Odin Rings, translated by Victor Farelli, compiled by E. Gardet, & published by Edward Bagshawe & Co., 1931

Section Four: Magic with Dice
Gerald Kosky Black &White photo Photo
Chapter Six: Gerald Kosky's "How Many"?: Three dice change places in the performer's hands, change the size, then even become blank.
Chapter Seven: Ali Bongo's "Deolali Dice": a gimmicked dice set that you can build. Routine is fairly short. Two small die are poured from a shaker cup onto the table and inserted into the right  fist. "Fertilizer" is poured over the right hand, and two large dies are dumped out, the small die are nowhere to be found. The large die can be examined, if necessary

Section Five: Handkerchief Magic
Chapter Eight: Charlie Edward's Dissolving Knots: Dissolving silk knots and a rope through tied wrists routine.

Section Six: Magic With Sponge Balls. An excellent treatise on sponge ball magic
Chapter Nine
99 Part I. Requirements and Principles: the "invention" of sponge balls  by Jesse J. Lybarger, Al Cohn, and the contribution by Joe Berg (1926).  Covers the type of sponge to use, how to cut the sponge, the basic  effect, and stages of performance
102 Part 2. Adding One Ball to Another: Four methods and placing the balls down
106 Part 3. Two Subtle Moves: To show three balls only (in both hands),  and The Spectator Holds a Ball (multiply in spectator's hand)
108 Part 4. Vanishes From the Hand: Five methods detailed
117 Part 5. A Sponge Ball Routine: with advice Do Not Make the Routine  Too Long and Build Up to a Climax. Routine combines the two in the hand  and one in the pocket with multiplication in the spectator's hand
119 Part 6. Accessories: a brief description of other tools that could be helpful in a sponge ball routines such

as: rubber production fruit, sponge ball to a bunny, and handkerchief pull, for examples
121 Part 7. Rabbit's Habits: Three routines for sponge rabbit sets (good)

Section Seven: The Magic of Al Koran
Al Koran photo: Black &White photo 
Chapter Ten: Al Koran's Simplex Torn and Restored Newspaper: alternate method from Routined  Manipulation Parts I/II. Ganson states, "I was particularly impressed  with the apparent absence of the possibility of there being any hiding  place for the torn pieces..." Similar to the Al Baker method.

Chapter Eleven:  A Pound for your Card: Spectator removes any card from the deck and  signs it. It is sealed in an envelope. A bill is borrowed and the serial  number noted and placed in a purse. The two switch places. Needs just  some envelopes, a purse large enough to cover a card, and cards.
Chapter Twelve:  The Fate of a Fiver: A five-pound note is torn and restored, this is  repeated and it is burned accidentally, only to be opened as change for a  fiver, including coins. Uses fake notes rather than real ones, though  if you don't mind destroying a bill each performance you could use a  real note...
Chapter Thirteen: Hanky Panky Routine: Incorporates the following effects - penetration  of a handkerchief by a pencil, burnt and restored handkerchief, cut and  restored handkerchief (credits Jack Chanin), continuous production of  coins from the handkerchief (also Jack Chanin), production of a  cigarette and lighter from the handkerchief, and production of a glass  of wine (Jardine Ellis). The handkerchief is unharmed.
Chapter Fourteen:  Perfection Do As I Do: Two packs of cards are used, one is handed to a  spectator. The spectator takes a card face down from his deck, the  performer removes a card from his, they are both the same. The performer  places the Queen of Hearts down and turns the spectator's card down  when turned up, it too is the Queen of Hearts. Uses the Paul Curry  Turnover Change.

Section Eight: Miscellaneous Magic
Chapter Fifteen: Perter Burto's Burnt & Restored Paper Strip. 18" long paper is burnt, ashes are  grabbed, and the strip is restored from the empty hand. (uses TT)
Chapter Sixteen:   Hans Trixer's Miniature Cups & Balls: This cups and balls routine  is more of a Three Shell Game, but using small wooden cups similar to  the Indian Style cups and balls, a small "pea" ball as used in the  Walnut Shell & Pea, and climaxes with the revelation of a coin under  one of the cups. 
Chapter Seventeen: Hans Trixer's Silken Canary: small canary on the finger is thrown and changes to silk.
Chapter Eighteen: Hans Trixer's Slot Machine: Two coins placed in the left-hand change to a small bottle or other objects.
Chapter Nineteen: John Lewis's Colour Thimbles: short color change routine with three thimbles, each of a different color
Chapter Twenty: Hans Trixer's Silk Penetro: Billiard ball penetrates a handkerchief; no gimmicks

Section Nine: Card Magic
Chapter Twenty-One: Alexander Elmsley's All Backs Routine: Variation on Dai Vernon's All Backs routine. A pack  of cards apparently have no faces, but they are revealed in mysterious  ways. Utilizes a simple to make a gimmicked card. 
Chapter Twenty-Two:  Patrick Page's Cards to Pocket: 12 Cards travel to the pocket, with  various mishaps in between. Utilizes a slightly gimmicked pocket and the  Buckle Count
Chapter Twenty-Three: Jack Chanin's Card on the Line: A card is selected and returned to the  pack. A Ribbon is placed through the top card, and the card put in the  middle. When pulled, it changes to the selected card. A deck may be  borrowed (but be aware it will be damaged!)
Chapter Twenty-Four: The Nicholas "Thought Card": Spectator thinks of any card, then pulls  it, face up, out of the deck. The card is then lost in the deck, which  is shuffled and put back in the box. Performer clips a business card to  the deck and asks the magician to take it to the performer's helper, who  proceeds to write the value of the selection on the business card.
Chapter Twenty-Five: Peter Warlock's PW Slip Cut: A one-handed false table cut
Chapter Twenty-Six: Bobby Bernard's Educated Frog: Card selected and returned to the deck.  The deck is cut, 12 cards selected and put in a circle. A wind up frog finds the selected card. Uses a Svengali deck.
Chapter Twenty-Seven: Mary Kinson's Fan See Card: Selected card is revealed in a fan of cards.
Chapter Twenty-Eight: Brain Wave by Telephone: Dai Vernon's Brainwave Deck as performed by Lewis Ganson and his wife

Section Ten: Card Magic by Manipulation
Chapter Twenty-Nine: Some Observations on Card Manipulation: a description of points to be  considered in a good production of card fans routine. Includes the Front  and Back Palm, Cover for the Pivot, Acquitments, Stealing Extra Stocks  of Cards, and Hiding the Corners of the Cards
Chapter Thirty: Preparation of Cards for Manipulation: How to physically prepare the  cards, including what type of card to use, removing stiffness,  splitting, etc.
Chapter Thirty-One: The Continuous Production of Fans of Cards: detailed description of the improved method
Chapter Thirty-Two: The Production of Single Cards: Method One if large numbers of single  cards are to be produced, and Method Two (by Ken Brooke) for up to 6 or 8  cards
Chapter Thirty-Three: Manipulation in Gloves: Advantages include good looks, no damp hands, and extra cover is provided by the gloves
Chapter Thirty-Four: The Card Routine: the full routine outlined, using the above-improved approaches